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Welcome to the Dark Side: all there is to know about Digitec Galaxus’s new dark mode

Michelle Brändle
3.10.2023
Translation: Katherine Martin

The Digitec Community has been waiting for this moment for what feels like an eternity. For a long time, it was unclear whether it’d ever happen. Then, a brave team stepped up to the plate. Now, they’re proud to present cue rapturous applause... dark mode.

Digitec Galaxus has unveiled the dark version of its online shops. And let’s just say, implenting the feature took a tad longer than it did to write that sentence. However, we’re now finally able to announce its introduction.

Naturally, dark mode is now available for you to use. If it hasn’t been activated automatically, you can enable it at the bottom of the page.

But why did it take us so long to make dark mode a reality? And why do we even need a dark version of our online shops? Taking the lead on the dark mode project were Lead UX Designer Leonardo Hauschild and Product Owner Tobias Grundman. In this interview, they explain why «the path to the Dark Side» was so long. After all, we couldn’t simply change all of our shop colours over night.

Why does Digitec Galaxus need dark mode?

How did it actually end up being implemented?

Leonardo explains: «We’ve been discussing dark mode internally for a number of years now. Projects like our widescreen initiative went on to lay the foundations. The goal of that project was to display our website correctly and in high resolution, even on large screens. This meant our engineers had to start tinkering with the layout of the website. Despite the scale and complexity of our shops, it gradually became clear that implementing dark mode was doable too.»

Doesn’t it just mean «reversing» all the colours?

There are thousands of areas within our shops’ complex structure where colours are defined. More and more components have been added over time, with each being assigned an appropriate colour in the shop’s code.

It’s not always clear in every single part of the code which component is being referred to. «Background» is self-explanatory, but we’ve certainly got more than a few «buttons». And dark mode doubles that amount. You begin to lose track, and things get far too complex. That’s why we needed a system that could organise and assign colours efficiently.»

Leonardo adds: «During a separate project to develop a design system, we managed to break down a few obstacles, laying a good foundation for the dark mode project.»

Couldn’t we have used a design system like this 10 years ago?

«Sure,» Tobias replies. «But we also would’ve created constraints and complexity that wouldn’t have delivered the desired result. New elements have continuously been added over time, and having to tackle all those colour definitions manually would’ve created way too much capacity for error. So the code needed to be revised in order to automate colour assignment.»

So what was your next step?

But one thing isn’t quite so easily rendered in dark mode, right?

Dark mode is here Did making dark mode a reality really take 1,000 days of work?

What a great way to wrap things up. Thanks very much to both of you! All I can say is: dark mode awaits!

So, good folks of the Community, it’s your turn now. What do you think of our dark mode? Tobias, Leonardo and everyone in our UX Design and Frontend Development Teams are keen to read your feedback in the comments.

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In my world, Super Mario chases Stormtroopers with a unicorn and Harley Quinn mixes cocktails for Eddie and Peter at the beach bar. Wherever I can live out my creativity, my fingers tingle. Or maybe it's because nothing flows through my veins but chocolate, glitter and coffee. 


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